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Alexakis and Wessel, 2011, The Greek Life of St. Leo bishop of Catania (BHG 981b) |
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Bernardi and Baldi, 2019, Le steatiti del Museo Civico Medievale di Bologna: nuovi studi |
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I |
92 (et n. 24) |
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Boeck, 2015, Imagining the Byzantine Past. The Perception of History in the Illustrated Manuscripts of Skylitzes and Manasses |
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150 (+ n. 33) - 151 (fig.5.1) ; 152 |
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Canart, 2011, La Bible du Patrice Léon. Codex Reginensis Graecus 1. Commentaire codicologique, paléographique, philologique et artistique |
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Cassin, 2020, Notes de possession du monastère de la Sainte-Trinité de Chalki: un monastère patriarcal? |
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30, 40 |
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Chryssostalis, 2012, Recherches sur la tradition manuscrite du Contra Eusebium de Nicéphore de Constantinople |
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Chryssostalis, 2015, Le "Psautier Chludov", le "Barlaam de Paris" et la Bibliothèque de la Sainte-Trinité de Chalki |
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Crostini Lappin, 2010, Monastic Preaching and Animal Moralizations : the Physiologos in the Eleventh Century between Stoudios and Montecassino |
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157 |
|
D'Amelia, 2020, Il canone koinos di Giuseppe l’Innografo per il primo sabato del «Nuovo Ottoeco» (= can. I.f) |
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16-17 (et n. 26) |
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Dobrynina, 2010, New findings on the Khludov Psalter revealed during restoration |
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passim et fig. 1-5, 8-12, 13b-23 |
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Dobrynina, 2018, Colophons and Running Titles. On New Terminology in Describing Greek Manuscripts of the Ninth-Tenth Centuries |
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Dobrynina, 2021, On the dating of Codex H (Epistles of the Apostle Paul) |
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141 |
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Dobrynina, 2021, Two Periods in Commentary on the Khludov Psalter |
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Fourlas, 2021-09-01, Image and Chalcedonian Eucharistic doctrine: a re-evaluation of the Riha paten, its decoration and its historical context |
Avec illustration |
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1146-1147 |
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Gasbarri, 2012, Immagini eloquenti. Nuove osservazioni sul codice Athen. gr. 211 con le Omelie di Giovanni Crisostomo |
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306, n. 27 |
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Gasbarri, 2023, Cristo contro gli idoli Note critiche sul rapporto tra iconografia evangelica e idolatria nell’arte bizantina |
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35-42, fig. 5 |
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Kominko, 2013, The World of Kosmas. Illustrated Byzantine Codices of the Christian Topography |
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Krause, 2022, Divine Inspiration in Byzantium: Notions of Authenticity in Art and Theology |
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167 n. 84 |
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Linardou, 2011, 9. Depicting the Salvation: Typological Images of Mary in the Kokkinobaphos Manuscripts |
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141 (n. 41) |
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Maayan-Fanar and Tepper, 2022-09-01, The Baptistery in the North Church of Shivta: structure, ritual, art |
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945 |
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Mavroudi, 2008, Arabic words in Greek letters: the Violet fragment and more |
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328 n. 19 |
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Mikhail, 2015, The Presanctified Liturgy of the Apostle Mark in Sinai Ar. 237 (13th c.): Text and Commentary |
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189 |
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Parenti, 2022, The beginning of the Hagiopolite liturgy in Constantinople: New narrative or historical novel? About an article by Stig R. Frøyshov |
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412 |
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Paribeni, 2010, L'immagine dell'eretico nell'arte mediobizantina |
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106-113, fig. 1, 6-8, 10 |
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Peers, 2000, Peter, Iconoclams and the Use of Nature in the Smyrna Physiologus (Evangelical School, B. 8) |
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268 |
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Torno Ginnasi, 2016, La <i>Toupha</i> e il cavallo. Aspetti storico-artistici del perduto "medaglione" di Giustiniano I |
Sub "Gr. 129 D" |
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13 (+ pl. 6), 39 n. 116 |
| 0049f |
Parpulov, 2014, Toward a History of Byzantine Psalters ca. 850-1350 AD |
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86-93 |
